When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
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法緹瑪·德查瓦里昆,琪拉娜·皮皮亞克隆,帕貢·查博里拉
畑芽育,大橋和也,木村慧人,山中柔太朗,大久保波留,NAOYA,矢吹奈子,佐藤大樹,濱邊美波
米里亞姆·西爾弗曼,霍蘭德·泰勒,內(nèi)斯特·卡博內(nèi)爾,Emily,Arancio,莫莉·哈格,Doug,Harris,Julia,Blanchard,Arica,Himmel,Pearl,Shin,Molly,Carden,Caleb,Mathura,Christian,Maverick,White,尼克哈爾·基什納尼,塔麗雅·蒂斯菲爾德,Jasminn,Johnson,Katelyn,Trieu,Ellis,Jude,Matthews,Hasan,Gray,Ella,Ortiz,Cashton,Crill
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