Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
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澤村一樹,高島政伸,比嘉愛未,黑川智花,宮地雅子,阿南敦子,正名仆蔵,敦士,齊藤陽一郎,尾崎右宗,松坂慶子,小野武彥,伊藤蘭,野際陽子,菅野美穗,小田將聖
伊萬·瑞恩,米洛·吉布森,斯蒂芬妮·馬蒂尼,馬辛·多洛辛斯基,克里斯托弗·哈德克,丹·柏曼,拉裴爾·德普雷,米歇爾·迪耶克斯,尼古拉斯·法瑞爾,薩姆·霍爾,拉多斯勞·凱姆,邁爾斯·基奧治,斯圖爾特·帕克,羅伯特·波特爾,阿德里安·扎仁巴
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